![]() The differences weren’t nearly so dramatic in other areas, but the bottom line is that Spark’s sluggishness is a thing of the past. In a particularly surprising case, normalizing a lengthy audio file took about eight minutes in Peak 3.01 and less than a second in Spark XL 2.5. Indeed, it was faster than Peak in some of our tests. Previous versions of Spark often ran slowly, but Spark 2.5 felt spry. DeClick deftly removed the clicks and pops without affecting the music, while DeNoise made turntable rumble a distant memory. We applied these plug-ins to a digitized version of a used and abused vinyl album, and the results were astonishing. Spark XL includes two audio-restoration plug-ins: DeClick removes clicks and pops, while DeNoise removes continuous background noise, such as the low rumble of a turntable or the hiss of old shellac records. Digidesign has yet to update its Pro Tools systems for OS X, so for now at least, this is another OS 9-specific capability. Spark XL also works with Digidesign’s Pro Tools audio hardware, and can make use of plug-ins written in Digidesign’s TDM format. If you’re only dabbling in audio-editing for now, also check out the limited and free versions of Spark (LE and ME, respectively). TC Works is developing an OS X version, however, and it will be a free upgrade for registered Spark XL users.) The $499 Spark 2.5 is essentially the same product, but does not include the TC Native Bundle or the audio-restoration features. (Unfortunately for OS X users, TC Native Bundle runs in OS 9 only. We tested the $749 Spark XL 2.5, which includes 21 audio-processing plug-ins in the popular VST format, as well as audio-restoration plug-ins and the superb TC Works’ TC Native Bundle, a collection of plug-ins that handle equalization, reverb, and audio compression. ![]() Indeed, Spark excels at this, thanks to its clever three-pane window. Audio pros and musicians can use Spark to assemble audio files and portions of files into playlists for subsequent CD mastering.
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